It’s a few weeks since Rosalind Adam blogged about song lyrics and how they stick in the brain so readily, and ever since I’ve been going through songs in my head, wondering what makes them special to me. In the end I came up with the idea that my favourite lyrics mostly tell a story, not just the obvious story of a love affair ( although I like lots of those songs for other reasons!) but those that have a real narrative drive. The most obvious examples are traditional ballads. So I admit to having liked ‘The Crookit Bawbee’ (decipher the Scots and you’ll find a great tale of recognition!) even before I found Fairport Convention’s Matty Groves or The Corries’ Killiecrankie. But there are lots of examples in pop songs too, songs with strong characters and great stories, like Lennon & McCartney’s Eleanor Rigby, Paul Simon’s The Boxer, or that old chestnut from Peter Saarsted Where Do You Go to My Lovely? – irresistible!
But if Kirstie Young were to come along with the offer of a desert island, the one I think I would choose to take along is Carly Simon’s You’re So Vain, a story I never seem to tire of hearing, because it’s so well told. Think of the first verse, you walked in to a party like you were walking into a yacht ...’ by the time we’ve got to gavotte, we’re completely in the picture: here’s someone who well and truly fancies himself. But there’s more than description, there’s attitude too. All the girls might want to be his partner – but not this one – not any more. We just know the singer doesn’t like him much, an excellent example of ‘show not tell’!
The second verse is back story – just enough to fill in the history between these two. Okay, the singer was dumped, but it was a while ago. what’s her problem. Maybe just a case of a woman scorned?
The third verse is classic. Back to the present day – the celebrity lifestyle, the ‘see and be seen’ events But then comes the sting in the tail.
‘You’re where you should be all the time,
And when you’re not your with some underworld spy or the wife of a close friend,
wife of a close friend…’
So now we have it. Ex-lover didn’t just dump her, he’s also a liar and a cheat, someone who lets down his friends. So the villain is denounced and our heroine has claimed the moral high ground – just where we need her to be. We can picture the lover slinking off with his tail between his legs. Cue backing track, cue chorus – with gusto!
The lesson is obvious. A good story needs passion, a heroine, a villain. It needs to keep us interested and make us care what happened to both of them.
A decent tune and fantastic backing helps!
I’m kind of hoping someone will turn up with more suggestions for lyrics. Meanwhile, here’s a reminder of the song in question. Not much of Carly in this version, but the words say it all.
I’ve always liked that song and now I know why. It packs a real punch, doesn’t it. Thanks for the mention by the way and it’s good to know I got you thinking (hope the song-word thoughts didn’t drive you crazy, though).
On the radio the other day Chris Tarrant was asked to choose a song for his life and he chose Mike and the Mechanics The Living Years. It’s so moving, the things he wished he’d said to his father before he died and, although this year I spent long hours holding Mum’s hand and talking to her as she died, it’s the most moving song I’ve heard in a long time.
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That’s so true and I’ve never really thought about it before. I can think of a few more songs that tell stories, like Big John, The Wraggle-Taggle Gypsies, The Oak and the Ash, Alone Again Naturally.
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Hi Miriam – thanks for visiting. Oh yes I had forgotten Big John – a classic! – and that other Mining Disaster (Bee Gees?). I expect we coud go on for hours at this!
AliB
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Hi Ros
Think I like YSV because you can feel the anger oozing out. Despite that I also wonder how much the writer has strayed into fiction (think it’s meant to be about James Taylor – can’t see him in apricot or owning horses!) but if so the song is all the better for it. There are lots of songs that tug the heartstrings more, although I’d find it v. hard to choose just one. Mike & the Mechanics is v. moving – I guess it will hit the spot for quite a few people.
AliB
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Greetings, Ali, from a fellow Campaigner. Great post! I didn’t realize until reading this that I have ALWAYS envisioned the song whenever I’ve heard it. (And in fact, I heard it about a week ago when I put Carly’s Greatest Hits CD on the stereo.) But, is this really the one you’d want to hear over and over on a desert island? It could get old! BTW, I love the Kettle of Fish artwork up there in the corner.
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Hi Katie, thanks for visiting. Must get that campaign blog post up!
I was so lucky to find the artwork and so good of the artist to let me use it here.
Off to visit your own blog now!
AliB
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Hello from a fellow campaigner! I have a special soundtrack for each MS I am working on 🙂 Thanks for stopping by my blog today. Please come back on Thursday when I will be announcing the launch of an exciting competition.
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Nice idea re soundtracks – but when I’m really concentrating even music is a distraction! will try to remember Thursday.
AliB
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Hi Ali,
I’m a fellow campaigner and am working my way around as many blogs as I can. I’ve enjoyed yours. You’re so Vain is a great song!
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I like the rendition of this song in the movie “How To Lose A Guy In 10 Days”. 😉 Anyway, just stopping by from the Campaign – we’re in the Contemp/Mainstream group together I see!
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Hi Bridget and Trish, thanks for visiting. Hope to repay the compliment soon!
AliB
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